Catherine Lizette Gonzalez, Colorlines, June 29, 2018
“White Fragility” introduces a constructive way for organizers to respond to White people whose discomfort prevents them from understanding and addressing racism (Beacon Press). >> In “Assata Taught Me“ radical scholar Donna Murch gives a profound analysis of the current movement for Black lives and its predecessors (Haymarket). >> “As Black as Resistance” is a manifesto that looks at the relationship between anti-Blackness and U.S. imperialism and posits how an anarchist framework could open the gates to liberation (AK Press). >> In his incisive memoir, “Homeboy Came to Orange,” longtime activist Ernest Thompson recounts how he joined the people of Orange, New Jersey, to fight for labor rights and racial justice (New Village Press).
“We Built the Wall” examines how the United States’ recent geopolitics have dictated which asylum seekers are welcome into the country (Verso). >> In “Birthright Citizens,” historian Martha S. Jones retells how formerly enslaved African Americans fought difficult legal battles to ensure their citizenship under U.S. law (Cambridge University Press). >> “The Heritage” takes a look at present-day Black activist athletes protesting police violence through deep research and interviews with Colin Kaepernick, David Ortiz, Chris Webber and others (Beacon Press). >> In “The Marginalized Majority,” journalist Onnesha Roychoudhuri reflects on how marginalized people hold the power to alter the course of history (Melville House). >> Scholar Stephen Dillon looks at the criminalization of queer and feminist activists to scrutinize the carceral state in “Fugitive Life: The Queer Politics of the Prison State” (Duke University Press).
Poetry & Fiction
“New Poets of Native Nations” topples racist and essentialist assumptions about poetry written by Native American writers in an anthology filled with diverse styles and lyricism (Graywolf Press). >> Muslim-American poet Fatimah Asghar navigates intergenerational violence, vulnerability and love in her collection, “If They Come For Us” (Penguin Random House). >> In her debut poetry collection, “Don’t Let Them See Me Like This,” Jasmine Gibson unearths the brutality of capitalism, biopolitics and White supremacy and explores desire and the idea of political insurgency (Nightboat). >> Jerika Marchan’s “SWOLE” is a lyric response to environmental racism and the irreversible impact of Hurricane Katrina (Future Poem). >> “Love War Stories” is a collection of short stories about Puerto Rican women and girls and their understanding of love and its myths (The Feminist Press). >> Zinzi Clemmons’ novel, ”What We Lose,” loosely based on the author’s experience of caring for her dying mother, is a fragmented story of grief and diasporic identity (Penguin Random House).
Art & Memoir
Wickedly funny cultural critic Michael Arceneaux meditates on growing up Black and gay, his relationship to religion and the sanctity of Beyoncé in ”I Can’t Date Jesus” (Atria). >> In “Sick,” Iranian-American author Porochista Khakpour shares her struggle of living with late-stage Lyme disease, challenging our assumptions about chronic illness and recovery (Harper Perennial). >> Historian Nell Irvin Painter pivots from academia to art in her memoir, “Old in Art School“ (Counterpoint Press). >> “Lorna Simpson Collages” uplifts the renowned artist’s work celebrating Black hair with 160 illustrations that cull images from vintage textbooks and advertisements (Chronicle Books). >> “Whitewalling” looks back on three incidents of racism and resistance in the art world to illuminate how power and Whiteness factor into the politics of museums and galleries (Badlands Unlimited).