Useless Multicultural Murals
Chris Roberts, American Renaissance, May 25, 2021
A mural by Liverpool street artist John Culshaw in the heart of Toxteth, Liverpool, commissioned by The Greenhouse Project, to convey a strong anti-gun and anti-knife crime message. The work was completed earlier this week and is on display in Tiber Square off Lodge Lane. Picture date: Saturday May 22, 2021. (Credit Image: © Peter Byrne/PA Wire via ZUMA Press)
In 2014, Gilbert Cavanaugh observed “one sure sign that whites are being displaced is the number of murals. The more murals, the worse the neighborhood.” Moreover, any place with murals promoting non-violence is guaranteed to be violent and crime-ridden.
The words scrawled across the face are “peace” in a variety of languages: “nabad” is Somali, “amani” is Swahili, “paqen” is Albanian, etc. According to its website, “The Greenhouse Project exists to enable Liverpool’s children, young people and their communities to access opportunities that support their creative development, understanding and celebration of diversity [emphasis added].”
The Wikipedia page on Toxteth notes its “significant number of ethnic minority communities,” especially “from the Caribbean, Yemen and Somalia.” The section on “Unrest and Crime” is almost 700 words long and summarizes three different race riots.
Can a multicultural mural bring Toxteth peace and prosperity? Only the West’s rotten elite is foolish enough to think so.
