Posted on September 1, 2009

Why Is iTunes Selling White Supremacy?

Sonia Scherr, SPLC’s Hate Watch, August 31, 2009.


“When the battle is over and the victory is won/And the White man’s lands are owned by true white people/the traitors will all be gone.”

–From “White Warriors” by Skrewdriver

If you thought such unabashedly bigoted music was available only from underground sources, you’d be wrong. With a few clicks at Apple’s iTunes website, Internet users can buy albums and songs from white supremacist groups such as Bully Boys, Final War, Stormtroop 16 and H8Machine.

But what has one iTunes customer particularly incensed is that the website has apparently removed homophobic songs by reggae artists, but left the white supremacist music. Galen Andrews, who lives outside Des Moines, Iowa, told Hatewatch that he thinks all hate music should be pulled from iTunes. “It made me sick,” he said of the white supremacist music. “I think it’s irresponsible of iTunes to offer that kind of music. I don’t like the fact that they’re selling racism for profit.”


Although did not return a phone message, it also peddles music from many of the same white supremacist bands. An spokeswoman told Fox News earlier this year that third-party companies were selling the tracks through its website, but declined to elaborate. A spokesman for CDBaby, which distributes independent music, told Hatewatch that the company doesn’t ban artists based on content, though it donates profits from music it deems racist to anti-hate organizations.

“My impression is that online music distributors currently aren’t banning racist music,” Paul Becker, a sociology professor at the University of Dayton, wrote in an E-mail to Hatewatch. {snip}

Andrews, the iTunes customer, said he doesn’t buy the argument that banning racist music inhibits freedom of speech, because artists can simply sell it elsewhere. {snip}

White-power music broker Bryant Cecchini, who uses the alias Byron Calvert, also hopes racist music gets banned–but for a different reason. “Shut us down,” he said. “Make it illegal tomorrow. It would be great.”

Cecchini–whose recent ventures include Project Schoolyard Volume II, a campaign that targets teenagers with a 25-song sampler of white power music–believes that prohibiting racist content would compel artists to find subtler ways to express the same message. That, in turn, would help them reach mainstream audiences. Moreover, he told Hatewatch, it’s human nature to be attracted to the illicit. “What we do is illegal in Germany,” he said, “and it’s fifty times more popular.”